Download PDF Sabbath's Theater, by Philip Roth
Download PDF Sabbath's Theater, by Philip Roth
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Sabbath's Theater, by Philip Roth

Download PDF Sabbath's Theater, by Philip Roth
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Pressestimmen
"A post-war American masterpiece" (Daily Telegraph)"This is a wickedly splendid book" (Frank Kermode)"In time this will be seen as Roth's best novel" (Guardian)"For me, the book of the year - maybe the decade - is Sabbath's Theater...funny...moving, imaginative, deep... A masterpiece" (Times Literary Supplement)"Sabbath explodes some mad genie out of his bottle... Sabbath's Theater has more firestorming prose than any other novel I have read this year" (Observer)
Synopsis
Once a scandalously inventive puppeteer, Micky Sabbath at sixty-four is still defiantly antagonistic and exceedingly libidinous. But after the death of his long-time mistress - an erotic free spirit whose adulterous daring exceeds even his own - Sabbath embarks on a turbulent journey into his past. Bereft and grieving, besieged by the ghosts of those who loved and hated him most, he contrives a succession of farcical disasters that take him to the brink of madness and extinction.
Alle Produktbeschreibungen
Produktinformation
Taschenbuch: 496 Seiten
Verlag: Vintage, London; Auflage: New Ed (5. September 1996)
Sprache: Englisch
ISBN-10: 0099582015
ISBN-13: 978-0099582014
Größe und/oder Gewicht:
12,9 x 3,1 x 19,8 cm
Durchschnittliche Kundenbewertung:
2.7 von 5 Sternen
10 Kundenrezensionen
Amazon Bestseller-Rang:
Nr. 12.723 in Fremdsprachige Bücher (Siehe Top 100 in Fremdsprachige Bücher)
Ein unerträglicher Roman. Alles dreht sich um Sex, Geschlechtsverkehr, Geschlechtsakte in allen Variationen. Es mag schon richtig sein, dass die Evolution uns zwei Botschaften mitgegeben hat, in uns hineingepflanzt hat, denen wir niemals ausweichen können: „Überleben und reproduzieren“.Aber in diesem Roman geht es von Anfang bis Ende alleine um dieses „Reproduzieren“. Alles dreht sich nur um dieses eine Thema. Der Schreiber dieser Zeilen wird etwas spießig erscheinen, aber einige andere Dinge neben diesen Angesprochenen gibt es bei den Menschen nun doch noch. Das hat der Autor ja auch in einigen anderen Romanen eindrucksvoll unter Beweis gestellt (z.B.: „Jedermann“ u.a.)Es dreht sich im Kreis, immer wieder das Gleiche. Als dann Sabbat von einem freundlichen Theaterproduzenten aufgenommen wird, nachdem ihn seine Frau hinausgeworfen hat, wird es noch unerträglicher. Der freundliche Mensch überlässt ihm vertrauensvoll das Zimmer seiner jungen Tochter, die im College weilt. Sabbat durchstöbert alle Schubladen dieses Jungmädchenzimmers, krempelt alles um, ergötzt sich an den Schlüpfern, an der Unterwäsche, an den Büstenhaltern des jugendlichen Teenagers. Er stiehlt sie, steckt sie in seine Hosentasche, masturbiert in sie hinein. Er sucht im Bett mit der Nase nach Geruch der Geschlechtsorgane des jungen Mädchens. Weiterhin liest er ihre Tagebücher, schaut Fotos und persönliche Liebesbriefe dieses gerade erwachsen werdenden Mädchens an. Es ist unerträglich. Ein weiteres Lesen war dem Schreiber dieser Zeilen nicht möglich, er hat nach der Hälfte des Buches die Lektüre beendet. Es gibt bessere Dinge zu lesen.Natürlich ist Roth ein genialer Schreiber. Ohne Zweifel gibt es diese Niederungen der menschlichen Existenz, die er beschreibt. „Experten“ werden sagen, auch diese absoluten Tiefen des Menschseins müssen beschrieben werden, dürfen nicht versteckt werden. Wie oben gesagt, der Schreiber dieser Zeilen mag spießig und rückständig erscheinen, trotzdem, dieser Roman ist für mich absurd und sinnlos, und dabei muss ich bleiben, auch wenn „Literaturexperten“ sagen, das alles sei hohe Kunst..
It is hard to know what to say about Sabbath's Theater. The 'hero', Mickey Sabbath is not a likeable or easily understood character. His approach to the other figures in the novel seems consistently hostile and predatory, yet we understand that such a facade masks a deep torment and an increasing fear of death. His preoccupation with sex (not unusual for a Roth character) is a way of affirming life in the face of his own aging and infirm existence.The story is slight and the real thrust of the 'plot', after an intitial setup, is the question of whether Sabbath will chose to live or take his own life. However ugly Mickey's behavior and words are, Roth gives us something wonderful in each paragraph. We might not love Mickey, but it is hard to read this book and not be moved, impressed, and generally wowed by Roth's abilities as a writer. Wonderful reading.
and I have to say that I thoroughly enjoyed it. Mickey Sabbath was so real that even his status as an absolutely moral-less anti-hero couldn't push me far enough away not to feel sorry for him as the story went on. Reading this book made me want to go out and do something totally outrageous just to feel more alive.I agree with many of the other reviewers.David Duke (the narrator of the audio book) did a superb job with accents, emotions and even sexual noises (although I wish he would have done the gorilla noises toward the end).The sex was too analytical to be erotic in most cases (which is good if you happen to be standing in line at the post office listening to it on tape). I do have to admit I fast forwarded through one of the scenes I found particularly disgusting and I wish I would have fast forwarded through another one of the scenes.
This is a book that'll make you laugh out loud with the sad and disturbing antics of Mickey Sabbath. I cam to realize that many of the things that Mickey did are a Freudian alter-ego of the self - that's the scary part! What's more, the scenes are played out in constant flash backs and forwards, so you truly get the sense of the disturbing realities surrounding Mickey - death. It's inevitable and Mickey abhors reality for that very reason.One more reason to read this is the bathroom scene at his friend Norm Cowans - I won't tell you what happened, but I found myself cringing and laughing at the utter awkwardness and the bravo that Mickey carried himself with. Superb book!
Roth is truly one of America's greatest living authors. Funny, insightful, original, he's a great storyteller.Like his "Professor of Desire" Roth goes beyond the traditional antihero and writes a book from the point of view of a total degenerate.His 'protagonists' are antagonistic. Not as evil as Brent Easton Ellis's character in "American Psycho" but depraved notheless.Roth seems to love telling stories from the point of view of politically incorrect, irresponsible perverts. He is to fiction what Hunter S. Thompson is to journalism and Henry Miller is to the autobiographical novel. What a misanthrop.
This maybe Roth's finest novel, and is certainly one of the best of the works of fiction to come out in the eighties or nineties. With Sabbath's Theater, Roth for the first time in several years wrote a book in which he (or a thinly disguised alter ego) is not at the center. This is not to diminish the accomplishments of Operation Shylock or Patrimony, but there is not the post-modern hang up with the complexity of selfhood. Sabbath's Theater is a profound, Nietzschean reflection on life, death, art, and eros. Those who dismiss it for as the work of an aging pornographer are missing out on the opportunity to be taken to a much higher level of conciousness. The best reading of this novel I have seen is by the literary critic James Wood, and is included in his new book, The Broken Estate.
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